|Sometimes, the trick to
selecting the logo's shape is to selecting the background around it
instead, and then inverting the selection. This however won't easily
you'll easily see, selecting the background will select a few pixels
only, as the magic wand starts from the clicked pixel and quickly finds
it surrounded by pixels of another shade or color. The reach of the
magic wand is limited and won't select the whole background.
In cases like these you often start using and appreciating the
additional fine-tuning controls of the magic wand selection tool:
Tolerance, and Anti-aliased.
However, even those won't likely give you perfect selection results:
So, instead of selecting the background and then inverting the
selection, how about selecting the outer-most shape if one can be find?
In the top string for example, click on the green area of the 'Ping'
Notice that the selection appears a little to break into the blue, by
just 1 or 2 pixels or so. This is because I still have the
'Anti-aliased' mode checkbox enabled. I do this intentionally in this
case for the sake of highlighting what will happen when there are
multiple colors, especially similar, nearby shades involved rather than
a single, simple color.
This can happen as a result of several things: for one, you might have
loaded an image like a Jpeg with lossy compression. Even Tiff can have
this, if the Tiff (Tagged Image Format file) actually uses one of the
lossy compressors it can use, such as,.... you guessed it, Jpeg.
In our case the reason is a different one: I had created this image
with the Text tool, and it applied a bit of anti-aliasing along the
edges for better appearance. That in turn of course will introduce a
few additional shades of the colors found there, as it blends and
smoothes the colors for seamless transitions. Yes, anti-aliasing is
general great, but it has a few caveats too.
You'll also notice that by selecting the green outer area, it misses
the small green islands inside the last letter, the 'g'. These would be
perfect examples for us to use SHIFT-click on those green islands, but
we won't. Again, just to make a point later. In fact we will
shift-click them on the bottom text, Pong, later. So we'll see both
Note that another way to select the green areas would have been to key
to the green color. In that case it usually would have selected all
green pixels of the same green value, hence also the island.
Talking about Pong, let's select it. The outer area of that lower
string is blue.
Use SHift + Click on bthat blue region, and it will add that to the
selection, as indicated by the marching ants:
As usual, you can now select to copy these selected pixel regions into
a new custom brush:
menu: Brush >
Use selected as brush
So in essence, we didn't just want to select any green, or any blue
areas of the logo. Instead, we wanted the outer string portions,
regardless of what color they are.
If you're going to work with this extracted stringset, it's a good idea
to store it so as to better manage it amongst others to come:
< Store the newly created custom brush
You can grab a corner of the stored brush manager window to resize it
significantly and inspect the details.
Notice that there's a little bit of blue showing on the inside of the
green string region.and similarly some green on the inside of the blue
string below. That's a hint of anti-aliased blended colors that partly
made it across the selection.
For now, let's ignore.
Notice also that the current brush image apears in a small thumbnail in
the upper left of the Tools panel. There are 3 larger icons above the
many mini-icons from the drawing and selection tools.
Those are the thumbnail views of
- brush image
- paper image (texture)
- main (or swap) buffer image
Note that the paper texture is only enabled when it also shows a small
orange triangle in its upper left corner.
If an orange triangle shows in the right-most thumbnail, it's because
Buffer mixing is enabled: both the Main and the Swap buffers are
showing, in a blended way (multiplicative blending by default, but can
be many others).
Note that the transparency in the brush image was created based on the
alpha channel content, i.e. based on the selections. However, you're
not necessarily stuck with it. You can ignore and override the alpha
mask, and switch to color-keyed transparency assignment.
Simply right-click the custom brush pickup tool.
You can then pick a region from anywhere in the thumbnail view of the
brush color key selector window that pops up.
For example, select some red'ish background in the middle of the sky.
Note that as you change the color key, no change is made on the
previously stored brush image. Indeed, this affects only the currently
active custom brush in the painting engine, not any stored brush. If
you want to store and manage the changed result you sure can, simply
with the menu to Brush>Store & manage...
At this point, if you store the newly keyed brush, it will show next to
the prior stored brush, with different transparencies. In some cases,
this can give you quick results you can use, where the background is
transparent enough and the green AND blue logo portions remain opaque
enough that with little additional work you can use this. You might
need to adjust the low clip and high pass filter values.